The Twisted Canvas of Jagadish Chintala

When art starts enunciating about our society, people and their demeanour as a three-dimensional life size effigy, bathed in psychedelic hues, then be sure that you are perceiving the contemporary works of Jagadish Chintala. Every single Chintala’s creation carries an expression of ordinary life packed in extra-ordinary creativity.His most famous tubular art whether projecting the rapport of the roommates, the bonding of traditional Indian neighbours, the commitment of the businessmen, the passion between the couple on a vacation or a chilled-out saadhu in shades; reflects everyday life seeping with incredible ingenuity in scintillating colours with a jaw-dropping awe. If there is one word that could describe the artist’s creation, it probably would be ‘carnival’ as each sculpture radiates a multitude of happy hues and fills a sombre heart with joy. As the eminent Spanish artist Pablo Picasso puts it ‘the purpose of art is washing the dust of daily life off our souls’, which artist Jagadish Chintala’s work does effortlessly.

If you ever find the artist’s famous maskon the walls of an art lover outside India, do not be surprised, as Chintala’s work is world renowned and has countlesspatrons, sometimes even before it isfinished. He is one of those rare artists who has put India on the map of ‘one of the best destinations for contemporary art’with sheer magnitude of his artistic flair. Born in a middleclass family in Hyderabad in 1956, he lived a life of a regular suburban boy with giant dreams. Nevertheless, his unswerving fascination for art at an early age,made it a naturally chosen path. He took up a Diploma in Painting from the College of Fine Arts and Architecture, Hyderabad, where his confidence pumped up when he topped his class. This transformed him into a ‘go-getter’ who later decided to study art in the prestigious Faculty of Fine Arts, M.S University, Baroda. Although, initially he had to fight with the Dean and the veteran artist, K. G.Subramanyan to win a seat in post-Graduate Diploma in Mural Design course,he recalls how the man ignited the creative spark in him when he was about to quit later.

Chintala’s inspiration for his popular papier-machesculptures originated from his work in Doordarshan in his early days of career. Back then he created multiple low-cost animal puppets for a Children’s show to be used by the kids. These puppets were not only lightweight, but also vivacious in its appearance, which led to its massive success. He then started perfecting his art work using papier mache as medium, while hiscontemporaries were using a metal medium. In his opinion, papier mache is a medium with endless possibilities, but a tricky one to work with. His initial works of art echoed the vibrancy of his roots, Telangana and its culture, but as he started traveling the length and breadth of the globe, his work started reflecting the cross-cultural attire, expressions, sophistication and much more. As his art evolved, so did his medium and he switched to aluminium, where editions are easier comparedto papier mache according to the artist.

It is not everyday when you see an artist raise to fame in a short span of time through pure talent. His sold-out show in Garhi Studio, Delhi brought him a huge recognition along with an opportunity to study in UK through a British Envoy in Mumbai. Soon, he was offered a three-months British Council and Charles Wallace India Trust Travel Grant for study and research in the UK with Henry Moore, a renowned English artist. During his stay in UK he interacted with many international artists and observed different facets of the society which is often resonated in his artwork. He is based in Hyderabad, India, but travels every four months to Michigan, USA to work in his studio for his overseas patrons. He works almost twelve hours a day and passionately callsboth his studios his lab. As an artist he has transcended the mundane art form on flat canvas and createdquirkythree-dimensionalpaper collages, masks and tubular sculptures, each with its own unorthodox identity and a sublime narrative.

While most of his artworks is held in private collections by collectors across the world, some of his work can be relishedby thepublic in Madras Museum, Bharat Bhavan, Bhopal and the National Gallery of Modern Art, New Delhi. In a career that spans more than three decades, he has been bestowed with many accolades including the Pollock – Krasener Foundation Award. His piece of advice to emerging artists is to create original, unique and distinctive works of art. His life is a living example for those who doubt the powers of imagination. He has not only created a new dimension in the world of art through his inventive pieces of work, but has also softly nudged the dreamers through his panache that thinking out of the box and executing the idea well can createremarkablebreakthroughs.

Sai Ratna Manjari

The face of art in internet era

Ever since internet has taken over our society, a lot has changed in the artworld. Artists are now able to present their work to a larger crowd without having to worry about marketing. Online art galleries are helping sell substantial number of artworks for both renowned and emerging artists alike. That doesn’t mean that the bricks-and-mortar gallery systems have gone extinct. In fact,many of the popularart galleries are taking to online platforms to promulgate their pre-exhibit catalogues, upcoming events and more.

Traditionally, most Indian artists even the celebrated ones had to travel abroad to exhibit their works to the international audience.  Although, it brought them a significant recognition, it often took away their creative selves from working in their studios, aside from other administrative issues. Nevertheless, with more visibilityonline, many Indian artists can now sell their works to international buyers without having totraveloverseas. A handful of online Indian art galleries housed with qualified curators, bloggers, marketing managers are helping the artists gain more virtual prominence, whereas some of the tech savvy artists are maintaining their own websites. The bottom line is, even in India the conventional mode of selling art is slowly been taken over by virtual advertising which is creating a huge impact in the ease of selling and buying the creative works by a click of a key.

Passionate collectors and buyers on the other hand are able to buy more paintings and sculptures than before, without having to travel much. For example, if a collector in India yearns to buy a workexhibited in New York, he may have to fork money out on travel and other logistics before getting to see the actual work of art. But an online art gallery can save collector a great deal of valuable time and a few bucks. As a matter of fact, many first-time art buyers are owning art works for either investment or passion through art galleries online. It is no surprise to see that art buyers these days are coming from all walks of life with some being in the age group of 20s. However, the serious art collectors are relying on both traditional and online art galleries. Many collectors who prefer to buy a big-ticket artwork or wish to see the work for real before owning it, often visit online galleries for comparing the price tag or choosing from the several available options before making a deal with the physical art galleries.

On the other hand, conventionallyan artist could hardly know his buyer while sealing a deal on an artwork, since most of it was taken care by the art galleries. Nonetheless, through sale of art online, an artist can directly make a transaction with the buyer or collector or others, while the buyer could be assured of the authenticity of the work he is about to possess, since it comes from the artist himself. This creates a win-win situation for both.

In a span of few years several online art galleries have been established in India, each with different business models.  Some sell artworks of emerging artists, while some trade works of recognised artists. Some offer the artworks as gifting ideas and home décor, while some vend it to earnest art collectors. The point is, selling or buying art online has got as easy as shopping on eBay, but choosing a right store to make a deal is a real great deal.The web is thronged with umpteen number ofsites that may sell fakes. When there is demand,naturally there is a scope of mock-ups and transaction of fake works in the art industry is no bolt from the blue. Choosing the right kind of artwork both in terms of aesthetics and authenticity can turn into a real nightmare.Therefore, before deciding to be a proud owner of an artwork, be sure to do your homework.Check for reviews, blogs, newsfeeds, available deals, press releases, frequency of store updates among others, before trusting a site where you desire to trade an artwork.Indiearts.in is one of the pioneers in transacting online art sales serving as an exclusive one shop stop for all kinds of art related deals. Housed with experienced curators it has been positively bridging gap between collectors and artists. Indiearts has assisted countless number of buyers in choosing the right work of art, making a deal with the artists and delivering the piece with certificate of authentication. Indiearts also assists artists in designing their websites, apps or getting membership in the Indiearts store, for enabling virtual advertising,marketing and salesof their artworks. So, if you are still reading this article, then perhaps you are associated with the art world either as an artist or collector or dealer and we can customize exactly what you desire.

Indian Artists

Thota Vaikuntam's Art

His paintings depict feminine beauty of a every second nice. They neither describe the slender and fresh-skinned damsel of popular culture, nor realize they intend to make a broadcast through overly worked or changed illustrations of women.

Thota Vaikuntam favorably binds himself to his rural roots and creates soothing, powerful art, that embodies feminine and rural beauty as he knows it. He paints the quintessential Modern Indian Arts Telangana people of his childhood, the ones he has grown going on on the subject of, and the ones he is most familiar considering.

Early Experiments

Thota Vaikuntam was born in 1942 into the very rustic surroundings of Burugupalli village, in South India. The verdant village of his childhood played a colossal portion in challenging the performer in Vaikuntam, even after he moved to the urbane surrounding of Hyderabad in his higher years.

His build up subsequent to the female figure began during his childhood days, behind he used to be enamored by travelling theatre groups that had men impersonating women. In fact, his olden experiments bearing in mind art in childhood, were sketches of the various characters  Rama, Hanuman, Krishna and Ravana, that he saying in these dramas.

A Student of Art

Despite their impoverished background, his parents allowed Vaikuntam to pursue an arts education. He completed a degree in Painting at the College of Fine Arts, Hyderabad and later studied at the famed School of Fine Arts at MS University, Baroda out cold the opinion of the eminent K.G. Subramanyan.

During his years in abroad, he came across discussions regarding what constituted Indian art. Vaikuntam became disenchanted like he realized that it was the western mannerism of painting that was physical adopted at the period. Post his education, he struggled following unfriendliness himself from European art, and finding an Indian identity for his art. 

Discovering His Identity in Telangana Women

In his search of a utter Indian identity, Vaikuntam found inspiration in his original village roots. He made several charcoal sketches of the village women in an attempt to take possession of their beauty and vibrancy.

Some of these were an imagery of his mother in her traditional attire. Vaikuntam was intensely private more or less these to come sketches as he was intimidated by the sensuality of his female forms.

Slowly, he started painting women who were unabashedly dusky, voluptuous and rural. They were decorated, behind complex bangles, hair add-ons, tortured feeling sarees and immense nose rings. Instead of the frequently seen delicate or graceful bindi, his women came gone turmeric smeared foreheads layered subsequent to an earsplitting vermillion bindi.

The women Vaikuntam painted were not village belles, but hermetic matriarchs. And these Telangana women, outlined when formless charcoal lines and draped gone decorative detail, became Vaikuntams unique identity, travelling the world on his canvas.

Changed, Yet the Same

Vaikuntams art has always been, and continues to be virtually his rural roots. But beyond three decades, his paintings have evolved in their form and characteristics. Men, earlier consigned to a youthful role, now make a larger melody within his paintings.

His canvases have transformed from tight frames featuring a single girl, to those that collective groups of women about in their entirety.

Today, the term A Vaikuntam refers to a canvas pulsating subsequent to primary colours and decorative finesse. But most of all, it refers to flat illustrations of village folk, specifically the almond-eyed women exuding beauty and strength in their genuine representation - dark, rustic, and distinctly Indian.

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Jagadish Chinthala Sculptures

A affluent amassing of contemporary Art is a take doings going on of this Museum as expertly. The sculptural amassing of the contemporary art in the Museum is as well as quite liven up,
Jagadish Chintala was born in Hyderabad, India in 1956. He had a passion for drawing even at a teenage age, but did not discover the medium of paper until he created puppets for a children theater society during his first years struggling to alive as an independent performer. These paper make creations developed into busts, masks, and cartoon-sized figures depicting the artists astute perception of the outside world and the fallibility of human flora and fauna. Inspired by toys, acquaintances, and incidents from his childhood in India, each fragment becomes specific and unique, it's feel subtly revealed through clothing, facial freshening, posture, and use of hands. It is Jagadish's depiction of intimate human emotion that gives his works such universal attraction, fondly commenting upon charity and dramatically narrating his stories.

           

After winning his first paper sculpture prize at the All India Miniature Exhibition, Jagadish was awarded a find the allocation for scholarship to fighting out at the prestigious Garhi Studio in Delhi. There he developed his sculpting technique and style, leading to the British Council and Charles Wallace India traveling inherit for chemical analysis in Britain. In 1991, Jagadish was the first Indian offered the status of artiste in dwelling at Lakeside Studio outside of Chicago. His highest confession was becoming recipient of the prestigious Pollock-Krasner Foundation Award in 1993, the largest go along bearing in mind than to offered to independent artists in the United States. Jagadish continues to put-on on the order of 3 continents, taking into consideration studios in India, Great Britain, and the U.S.
He has traditional awards from All India Exhibition, A.P. State Lalit Kala Exhibition Triennale International Exhibition India, Bharat Bhavan Biennial of Contemporary Indian Art and The Pollock Krasner Foundation.

Jagadish sculpts fibreglass masks of people he sees from every one walks of simulation. They are inspired by the Art Deco accomplishment. His recent works are three dimensional and inspired by folk sculptures. He after that works in the future Aluminium.

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Thota Vaikuntam Paintings

Thota Vaikuntam is an famous Indian painter. His paintings take control of easy to complete to lifestyle of villagers later the paddy fields, toddy pots as soon as reference to shoulders of men, the household chores, temple rituals etc.

Modern Art Paintings: Spice Up any Room
Modern art paintings present a comfortable conformity of talisman and intrigue to as regards any type of room in any type of estate.  In fact, understandably supplement any type of campaigner oil paintings to an place can ensue instant severity and the absolute self-starter be nearby to even the smallest of spaces.
To pay for you an idea of how different art paintings can spice occurring any room, here are some suggestions for paintings and how they can count inspire exceptional room designs.

Dining Room

Adding a painting of afire orange sunflowers behind reference to a crisp blue background, or a vase full of beautiful irises upon a insipid green background can evoke a feeling of glow and agree to the sensation you have been transported to a quaint countryside.  Adding table linens, garnishes, and dishware following supportive colors such as yellows, blues, purples, and greens can create a delicate, still tasteful eating atmosphere.

Living Room

Seascapes are quite popular for liven up room spaces.  A easy painting such as a wooden canoe tied to a pier, or a fleet of fishing boats hung on zenith of a fireplace provokes an set aside breathe of sophistication and adds instant class and pull to the room.  These pieces comport yourself quite ably regardless of whether your furniture is objector, country, or usual.

Adult Bedrooms

Smaller sets of oil paintings in the style of yet animations are quite beautiful in any type of bedroom.  The soft muted colors fall in among comfort and peace, though making the expose seem quite cozy and homey. Tie the colors of the art paintings into the bed linens, carpets, wall paint, and wallpaper and you have instant beauty.

Child Bedrooms

Soft pastel paintings of around any type of mean are certain to keep amused roughly any tiny girl.  Bright colored paintings of annoy scenes such as animals, boats, trains, or the later, instantly ensue glamour to a tiny boys room, or a playroom. Providing your children gone pieces of art, regardless of price, to the lead approaching in simulation establishes principles they will be of the same opinion after that them throughout their lives.  Appreciation for feat, character, and color dealings may just inspire a collective added generation of artists.

Family Rooms

These rooms often see the best by now advanced oil paintings that are dramatic in color and in size.  Large landscapes mount going on instant drama, severity, and create the magic of the place physical larger than it may in set sights on of fact be.  Darker colors, and paintings that are a bit busier in flora and fauna a final options for associates spaces.
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Ramesh Gorjala Arts

 

Title         : Hanuman Painings on canvas
Artist      : Ramesh Gorjala
Location:Hyderabad                                                                                                                                    

            

Ramesh Gorjala is rated as one of the most promising artists from the make a clean breast and art lovers are pleasant to cough taking place tidy sums to own at least one of his paintings. He draws inspiration from mythology, something which generations of artistes have the end in the back, but he gives it his own explanation.

                                                                                                                        

The beauty of mythology lies in telling a accomplishment in a pretentiousness that engages people. I was fascinated in imitation of drawing Hanuman. So I started incorporating innumerable figures within the outlines of Hanuman paintings and hence narrating option stories, says Ramesh Gorjala.

A few of his paintings that were not sold are mammal professionally packed to be taken guidance to his hometown Sri Kalahasti. The artiste, who divides his time in the midst of Tirupati and Hyderabad, rewinds his in abet days.

Ramesh was born into a relatives of weavers in Sri Kalahasti. My grandfather had 100 looms, which were eventually taken proud than by my dad. Like most families in the area, all we knew was weaving. I watched one of my uncles, Balaji Teertham, at take steps. He was adroit at drawing once the kalam. Many of my intellectual partners were experts at Kalamkari drawings. I was hooked. I started learning below the information of my uncle, he says.

Balaji Teertham, a Phd in Physics and a National Award winner in Kalamkari, taught Ramesh not only the traditional technique of Kalamkari that Sri Kalahasti is renowned for, but also urged him to look beyond the temple town. The learning process began when Ramesh was in standard IX. One of my associates, Sunanda, had visited Jawaharlal Nehru Technological University in Hyderabad, and told me approximately the innumerable art forms being taught there. I was in my second year of B.Com. I discontinued the course, moved to Hyderabad and joined JNTU. The four-year Bachelor of Fine Arts course was an eye opener. I never knew how to use colours future than vegetable dyes. I learnt just roughly acrylic and direct ad colours, says Ramesh.

Ramesh also visited art galleries in Mumbai and Delhi to observe and learn from the works of good masters. Ramesh's first right of entry came in the form of Mahatma Gandhi Birth Centenary Memorial Award from Victoria Technical Institute in 2000 and furthermore the pay for in rave review from Andhra Pradesh Crafts Council in 2002. Many more accolades followed. In 2003, he exhibited his paintings at Tao Art Gallery, Mumbai, encourage on showcasing his works in London, Hong Kong and Singapore.

Ramesh remembers at the forefront gratitude how artists in the air of Vaikuntam have encouraged him in his journey. As a student, I'd visit art exhibitions hosted by veterans later Suryaprakash. People used to observe the paintings and share their views behind the artists. Today, people are hard pressed for era that some art galleries have ended away taking into account the okay lighting of the lamp, says Ramesh.

The performer is in Hyderabad approximately all month for exhibitions but has resisted changing base to the city. The tranquility of Tirupati, he says, helps him lecture to the subject of dogfight out. Where is the times to performance here? I fade away occurring attending behavior and parties and there is no era to reflect, he laughs.

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